Made for Filmmakers who Care About the Details.

Raymond L. –

Gamut made them easy to use and compatible with all software. Looks are great and natural and don’t over power the footage. If you’re on the fence just buy them!

Immersion

Robert H. –

I’ve recently started using V-Log to get the most out of my Lumix S5. Color management is an area I’m not particularly good at. Gamut’s LUTs for V-Log / V-LogL help me quickly get a really good result.

Panasonic BaseLUTs for V-Log / V-LogL

Biket R. –

It works lima a charm on my a7siii and Zv-e1 sometimes even without tweaking. I love it.

Immersion

Spencer. P –

This LUT is a no brainer to have in your editing tool kit. It’s something that can save you time in the editing room and add extra something sweet to your films. Highly Recommended!

Gamut Boost

Curtis W. –

Simple and clean, my new favorite LUT for my Sony camera. I have been looking for a LUT for my Sony log footage and so far this is the best I’ve found. Using it daily now on my projects.

Sony BaseLUTs for S-Log3 / S-Log2

Jorge G. –

Solid LUTs! They work really well!

Faction

Flavio P. –

For my taste I absolutely love the teal and orange tones espacially with dark moody landscape shots, it looks incredible on sony slog3 footage!

Immersion

Luigi S. –

Fantastic color for wedding! I like the variety of the LUTs, 5 LUTs for different situations. Green have the intensity that I’m looking for.

Hestia

Daniel H. –

A much better staring spot than the default log-rec709 provided by Sony.

Sony BaseLUTs for S-Log3 / S-Log2

Geoff B. –

I love luts that give the feeling of having a creative grade but still remaining generally natural and this lut accomplishes that the best for me

Immersion

Dimitrios L. –

Color that gives great vibes. An easy way to add that little magic to your film.

Kinetic

Antoine C. –

The versatility and the perfect skin tones.

Le Reve

Henri B. –

Until now, I was using the Panasonic original Lut but it always required many post lut grading until being happy. I was skeptical with gamut Lut and hesitated very much to pay 20$. The recommendation from Josh Cameron pushed me to try. With this Lut the immediate result is much better, more contrats but highlights and shadow areas preserve all their details, the time required for grading adjustments after applying the Lut is much shorter.

Panasonic BaseLUTs for V-Log / V-LogL

Lauren B. –

I’ve been struggling with color grading and getting my work just how I want. This was honestly just what I needed and the perfect launching point to starting my color grading process. Thank you so much for creating this LUT.

Canon BaseLUTs for C-Log / C-Log 3

Zheng T. –

I have been tested many of the conversion LUT in the market. I feel Gamut conversion LUT is the most balance LUT which is near to the natural color.

Sony BaseLUTs for S-Log3 / S-Log2

Ian M. –

Tonal Eclipse gives a very rich color profile while still maintaining a natural look. I love the way it is easily adaptable to a variety of situations since I shoot various scenes and projects. Distant teal has lately become one of my most used LUTS since it adds a deep black that isn’t too overwhelming and makes my corporate footage look much more polished.

Immersion

Paolo Bertoncello –

One LUT to mach ‘em all The definitive LUT in my workflow. Matching all my cameras better than any other LUT I tried. I absolutely love the skin tones.

Panasonic BaseLUTs for V-Log / V-LogL