The 606 Collection boasts a comprehensive color palette that is designed for customization. This LUT collection was created with creators in mind—a diverse collection where each LUT can function as a unique look... or the perfect place to start customizing your own personal style. Cinematic color or true to life—you decide.
Compatible with:
What's Included
Upon purchase, you will receive an instant download of the .cube files that you can load into your NLE of choice. This pack consists of 5 LUTs:
Avondale North Park Ravenswood Belmont Montrose
When you checkout, you can create a login account so you can access all your download links.
If you experience any issues with the LUTs you can email us by visiting our Support page.
Cameras
Our LUTs are designed for Rec.709 and are compatible with any camera that supports this color space. They work seamlessly with mirrorless, DSLR, and cinema cameras. If you’re shooting in Log, you can use our BaseLUTs to convert your footage to Rec.709 or DaVinci Wide Gamut before applying 606 LUTs. check out our guide here.
Works with
TRAILER
Made for Motion
Before & After
Avondale
Avondale was created to be an approachable LUT for every filmmaker who wants to explore the colors they see on the big screen. Reduced highlights, but with a golden glow that makes them feel both modern and nostalgic. Warm and reminiscent of Wes Anderson—this grade is inspired by the colors you see in your mind’s eye.
North Park
If Avondale is Wes Anderson, North Park is Ozark. With cooler, flatter highlights, this LUT is inspired by the opposite palette than the former. Drawing inspiration from teal/orange—North Park create a dynamic, approachable palette that still pushes the boundaries and inspires creativity.
Ravenswood
Ravenswood is a nod to classic 35mm film stocks—with authentic skin tones that lead with warm (much like a classic Portra 400), rich, vibrant colors; and a perfectly blended set of contrast. This look is meant to give you the colors you want—or give you the perfect base layer to dive deeper.
Belmont
While still being true to life, Belmont is more of a “vibe.” With less intense greens than Ravenswood and reduced saturation, this LUT will give you a cinematic look with colors that seem to glide together. In this look, the red hues and skin tones tend to lean more towards magenta. Great for both indoor and outdoor environments, Belmont offers controlled, balanced saturation for any environment.
Montrose
Everyone needs a good, clean black & white LUT— and this is it. Good for any scenario, and inspired by B&W film, Montrose has just the right amount of contrast to create visual theatre, and draw your audience in.
LUT Compatibility
See 606 in Action
The 606 Collection is all about utility. This collection was designed to give you powerful color out-of-the-box and allow you the chance to choose your own adventure. Each look is unique in it’s own way, but was created so that you could grade nearly any footage—weddings, commercial, documentary, or editorial—and find a color spectrum that works for you. And, of course, they are designed to work with our BaseLUTs, which means you can always shoot in Log. View BaseLUTs
Works with LOG Footage
The 606 LUT Collection is built to pair perfectly with Gamut BaseLUTs—our color-accurate Log-to-Rec709 conversions for every major camera. Designed for seamless integration, when paired with our BaseLUTs, 606 LUTs transform balanced Log footage into cinematic color with just one click. Shop BaseLUTs
Film Looks, Trusted by Filmmakers
Love it!! Easy to use and works great with my S-Log footage.
George C.
Easy conversion
Phil F.
Great for wedding films
Kelly M.
Simple to install
Jaron K.
The color palet, very smooth skin tones
Nicholas W.
They super versatile. They’re also not over the top. And for the price I think they work perfect.
Colton S.
I’ve been a fan of Eric Floberg and his work for a while and seeing his LUTS he created I had to purchase!
Hillary L.
Tastefully done and not over the top
Alex M.
After switching to the new Nikon Z8 and testing the manufacturer conversion lut, I was so let down. But thankfully I found a Gamut’s version. Sooooo much better. This is what it should be. Paired with the 606 creative lut pack, my footage is looking 🔥
Donovan W.
Easy, Clean and Incredibly great looks to fit my everyday needs.
William F.
They worked effortlessly. I bought another LUT pack from a different company (Tropic Color) just before this one, and it was a complete waste of money—felt like a money grab from Jacob Owens, as it didn’t meet any of my expectations.
As a colorist, I could tell the 606 LUT pack was created with real thoughtfulness and care, and it absolutely did not disappoint. Thank you!
Seth S.
Exceptional colors and well defined contrast (Ravenswood is my favorite). These are the best LUTs I’ve ever bought.
Paul H.
Cinematographer
Simple and predictable outcomes
Gary B.
I’m in love with this pack—it’s so versatile.
Mathew R.
Films Graded with 606
Frequently asked questions
How do I install the LUT in my video editing software?
You can use our Gamut App to automatically download and install your LUTs! Prefer to install manually? We have step-by-step guides for each platform:
Find our recommended camera settings here. Gamut LUTs are designed for Rec.709 footage. If you’re shooting in Log, use one of our BaseLUTs to convert it first—available for Sony, Canon, Panasonic, Blackmagic, Red, Fuji, Nikon, DJI, and more.
Are these LUTs suitable for professional projects?
Absolutely. Gamut LUTs have been trusted by major brands like Nikon, Canon, Panasonic, Fuji, Leica, Huckberry, and Toyota, as well as in feature films, commercials, and music videos.
Can I try out the LUTs before I buy them?
We don’t offer free downloads, but you can request a demo using your own footage—reach out to our team and we’ll show you how our LUTs perform.
Are these LUTs compatible with my editing software?
Gamut LUTs work in DaVinci Resolve, Adobe Premiere Pro, CapCut, Sony Vegas, Final Cut Pro, and any other software that supports .cube LUTs.
Are LUTs destructive? Will they overwrite my footage?
No. LUTs are non-destructive. They are a color overlay applied inside your editing software without changing your original footage.
Will the LUTs look the same on every camera?
Not exactly—every camera sensor interprets color differently. To ensure consistency, we recommend using our BaseLUTs to convert your Log footage to Rec709. They’re specifically designed to build a reliable base and help color match footage across different camera brands and sensors before applying any creative LUT.
What if I don’t like the LUTs—can I get a refund?
While we don’t offer refunds, we do want to work with you to help you get the results you’re looking for. If you’re not satisfied with the results, you can submit your footage to our color team, and we’ll review it and provide personalized guidance on how to get the most out of your LUTs. We’re here to help you achieve the look you’re after.
What color space are Gamut LUTs designed for?
Gamut LUTs are designed primarily for Rec.709, the standard color space for most displays. If you’re working in Log, you can use our BaseLUTs to convert from Log to Rec.709 before applying any creative LUTs. For DaVinci Resolve users that prefer to work in a Scene Referred workflow like DaVinci Wide Gamut (DWG), our BaseLUTs also offer a version that converts Log footage directly into DWG—allowing you to color grade in that wider color space while maintaining compatibility with all our BaseLUTs.
Can I use 606 LUTs on Log footage directly?
No. Gamut Creative LUTs are designed for Rec.709 footage. To convert your Log footage, we recommend using our Gamut BaseLUTs, which are optimized for accurate color and consistent results across different camera systems. You can also use a Color Space Transform (in software like DaVinci Resolve) or your camera manufacturer’s LUT to normalize your footage before applying any creative LUT.
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