Travel Filmmaker. Canon USA Ambassador. Turtleneck Enthusiast.
Experience the color palettes used by visionary travel filmmaker Sam Newton with the Immersion LUT Collection. This collection features 5 masterfully crafted LUTs designed to make your footage feel powerful and cinematic while preserving skin tones. While created with travel footage in mind, these LUTs offer limitless customization potential, fusing a bold, cohesive look with unmatched vibrancy and clarity.
Compatible with:
What's Included
Upon purchase, you will receive an instant download of the .cube files that you can load into your NLE of choice. This pack consists of 5 primary LUTs along with a contrasted version of each LUT for more variety:
Tonal Eclipse
Tonal Eclipse +
Distant Teal
Distant Teal + Chromatic Cream
Chromatic Cream + Etherial Blue
Etherial Blue + Solar Burn
Solar Burn +
Additionally, this LUT pack includes:
30-Minute Color Grading Course
Five clips of Sam Newton’s for you to grade alongside
When you checkout, you can create a login account so you can access all your download links.
If you experience any issues with the LUTs you can email us by visiting our Support page.
Cameras
Our LUTs are designed for Rec.709 and are compatible with any camera that supports this color space. They work seamlessly with mirrorless, DSLR, and cinema cameras. If you’re shooting in Log, you can use our BaseLUTs to convert your footage to Rec.709 or DaVinci Wide Gamut before applying Immersion LUTs. For full compatibility and recommended camera settings, check out our guide here.
Works with
TRAILER
Bold Cinematic LUTs for Travel Filmmakers
Before & After
Tonal Eclipse
Tonal Eclipse is the Immersion LUT Collection’s signature LUT, boasting cool hues and a subtle warmth in the orange and red spectrum. With its captivating color profile, this LUT serves as a reliable starting point for travel footage, making it an ideal choice for adventure-seekers and globetrotters alike.
Distant Teal
Our BaseLUTs are designed to work across all camera systems. So whether you are shooting on Sony, Canon, Panasonic, DJI, or Blackmagic—our conversions bring all your footage to the same starting place.
Chromatic Cream
Our BaseLUTs are designed to work across all camera systems. So whether you are shooting on Sony, Canon, Panasonic, DJI, or Blackmagic—our conversions bring all your footage to the same starting place.
Ethereal Blue
Our BaseLUTs are designed to work across all camera systems. So whether you are shooting on Sony, Canon, Panasonic, DJI, or Blackmagic—our conversions bring all your footage to the same starting place.
Solar Burn
Our BaseLUTs are designed to work across all camera systems. So whether you are shooting on Sony, Canon, Panasonic, DJI, or Blackmagic—our conversions bring all your footage to the same starting place.
LUT Compatibility
Works with LOG Footage
The Immersion LUT Collection is specifically crafted to complement Rec.709 footage and can be easily customized to achieve the desired look. Shop BaseLUTs
Trusted by Thousands of Travel Filmmakers
Amazing, high quality LUTs. Instantly transforms footage into FILMS. 10/10
Finn B.
Literally fit ANY footage.. blew my mind! The LUT’s are subtle but have such a big impact on the footage. Nothings blown out or too much, they’re just perfect!
Ryan M.
I love the Chromatic Cream and Ethereal Blue LUTs because they give off strong cinematic vibes. The tones and color shifts add a polished, film-like feel that really elevates my footage.
Kyle M.
I love how both of those luts give an almost unsaturated beautiful blue but still keeps the skin tones almost perfect. I don’t like how the greens in the Lut are super unsaturated for plants but I do love those luts a ton and probably my most used.
John M.
I love luts that give the feeling of having a creative grade but still remaining generally natural and this lut accomplishes that the best for me
Geoff B.
I’ve been a filmmaker for 10+ years now and have spent hundreds on other packages from other creators and these by far have the most flexibility I’ve ever seen using them in post.
Jack L.
Tonal Eclipse has become a staple for me. For any work I’m doing that doesn’t require a certain look I use it as a base grade and make tweaks from there. I find it to be the least in your face style of all the pack so gives a lovely look with zero effort and easy adjustment if needed!
Sam P.
Action Sports Filmmaker
I use Ethereal Blue in all of my projects. I tone it down to about 30% strength. I feel like it gives that deep blue / green cinematic touch that I’m looking for in my work.
Daniel E.
Creative Director, Filmmaker
The warmth it’s add the skin is great and feels very close to through life especially when added at around 30% in premier pro. It works for the look I tend to achieve with dark skin subject which is brownish and bit of glow . I use it on combo with some of my personal luts and color grading workflow in general
Olamide R.
They are LUTs that I personally really like to use in snowy white environments. The Chromatic Cream is perfect for a white out environment. I like the distant teal for blue hour shots. I think it works very well in that environment.
Daniel T.
I love the tones it’s brings out. The greens are great. Love the vibe
Alex L.
Tonal Eclipse gives a very rich color profile while still maintaining a natural look. I love the way it is easily adaptable to a variety of situations since I shoot various scenes and projects. Distant teal has lately become one of my most used LUTS since it adds a deep black that isn’t too overwhelming and makes my corporate footage look much more polished.
Ian M.
I film parties and this out does a really good job at keeping skin tones good and making the shadows a good rich blue tone!
Dalton B.
Event Filmmaker
For my taste I absolutely love the teal and orange tones espacially with dark moody landscape shots, it looks incredible on sony slog3 footage!
Flavio P.
These LUTs enhance clips so well and adds depth to footage that many LUTs struggle to do. It’s that natural feel that makes them easy to use with minimal tweaks.
Kishan P.
I use the Ethereal Blue+ LUT on pretty much all my recent work. I think it has the perfect balance of those classic “cinematic” colors. Gamut honestly makes the only true “one click” LUTs! Stoked for another round of LUTs by you!
Jason B.
I really like the way it looks on my skin. It’s a really nice and soft look. I have far skin tones and there aren’t many LUTs out there that can make my skin look good and the videos in general cinematic.
Anthony T.
It’s Subtle and yet gives you the look you wanted with compromising the texture of grade
Ammar N.
I love the depth in what I can bring out. I enjoy the warm light feeling and how it can also be used in darker settings.
Rich H.
I really love the cinematic vibe of that one and it was pretty smooth and easy to work with
Terry M.
It’s just got that chroma cream dream base that gets the look I’m after.
Eric A.
I feel like the tones feel the most true to color with this lut, requires minimal tweaking and overall works for more scenarios than the others (more versatile)
Ethan M.
I like the colors in working together with the depth. It feels a bit moody and dreamy at the same time.
Samuel P.
It just makes everything look so clean and polished! Great for client/brand work!
Husain A.
It works lima a charm on my a7siii and Zv-e1 sometimes even without tweaking. I love it.
Biket R.
It enhances the look of each color in the image in an indescribable way, and makes the image pop in a way that no other LUT makes it do. And, it makes you feel just like the collection is called, immersed in every frame.
David J.
I love the way Distant Teal makes the orange, red, and yellow undertones of our skin stand out whenever there is a human in the frame. I’m also a huge fan of the way the LUT converts green hue to a Teal/Blue hue to make greenery less busy and distracting in the frame.
Chevaughn B.
Lifestyle Filmmaker
They weren’t kidding that these preserve the skin tones nicely. Straight off the bat, I was impressed with how well these worked.
Steven M.
Beginner to coloring so the video on how to edit really helped out.
Diego G.
Photographer and Content Creator
Gamut made them easy to use and compatible with all software. Looks are great and natural and don’t over power the footage. If you’re on the fence just buy them!
Raymond L.
“Very intelligently crafted. On application, you get to an almost finished, high quality look that just works. On top of that, Immersion offers freedom to create new stylistic choices that can be pushed, if one so desires.Suffice to say, I have a feature length project in the pipeline where I will definitely use Immersion…it is just that good!
Kamran J.
As a beginner filmmaker these luts get me to look a bit more professional as their not on the extreme side.
Marc D.
This is the THIRD pack of LUTS i’ve bought from you guys. They are so easy to use and they look good every. single. time. I have the Canon CLOG 3 base luts, the 606, and now the Immersion pack. Sam has been an inspiration to me since I stumbled upon his journey on instagram and youtube.
I just love the intense, muted colors that he brings out in his videos, and now I can recreate them for myself! Really awesome pack, can’t wait for more Gamut!
Jason B.
A bit pricey but worth it, “Distant Teal” is my favorite by far!
Dorin A.
The ease of using them and not needing to adjust to much made these luts so worth it. a lot of other luts honestly over work your colors and these have a good balance of colors added to footage.
Soua V.
Skin tones are untouched unlike most of other LUTs on the market. Love them, also for my old canon which clog is not an option (unfortunately)
Umberto G.
I love that they are not too strong and can often be used at 100%. They give a very professional look to most outdoor shots, however they are not made for indoors. It can work but will most of the time need some adjustments. But that’s not what we buy them for, so that’s not an issue! 🙂
Benoît D.
Content Creator’
Color is great worked really well with my footage.
David H.
Love how accurate the skin tones are preserved after the luts are applied.
Olav J.
The colors were awesome. Reduced my workflow by more than half!
Pongpawan S.
THEY ARE VERY GOOD
Anze B.
Easy to use, speeds up my workflow and they look great.
Evan F.
It doesn’t degrade your image, but it gives a great grade.
Colton M.
I am very pleased with these LUTs, higher quality than the ones previously purchased elsewhere. Thank you
Cristina R.
These LUTs have an amazing look yet preserve the skin tones of all different ranges from light to medium to dark. It’s truly a LUT pack that you can tell had so much work put into it. Also it’s great for all different scenes so don’t stress. It’s definitely worth the price.
Christian N.
Content Creator
Immersion In Action
Films Graded with Immersion LUTs
Frequently asked questions
How do I install the LUT in my video editing software?
You can use our Gamut App to automatically download and install your LUTs! Prefer to install manually? We have step-by-step guides for each platform:
Find our recommended camera settings here. Gamut LUTs are designed for Rec.709 footage. If you’re shooting in Log, use one of our BaseLUTs to convert it first—available for Sony, Canon, Panasonic, Blackmagic, Red, Fuji, Nikon, DJI, and more.
Are these LUTs suitable for professional projects?
Absolutely. Gamut LUTs have been trusted by major brands like Nikon, Canon, Panasonic, Fuji, Leica, Huckberry, and Toyota, as well as in feature films, commercials, and music videos.
Can I try out the LUTs before I buy them?
We don’t offer free downloads, but you can request a demo using your own footage—reach out to our team and we’ll show you how our LUTs perform.
Are these LUTs compatible with my editing software?
Gamut LUTs work in DaVinci Resolve, Adobe Premiere Pro, CapCut, Sony Vegas, Final Cut Pro, and any other software that supports .cube LUTs.
Are LUTs destructive? Will they overwrite my footage?
No. LUTs are non-destructive. They are a color overlay applied inside your editing software without changing your original footage.
Will the LUTs look the same on every camera?
Not exactly—every camera sensor interprets color differently. To ensure consistency, we recommend using our BaseLUTs to convert your Log footage to Rec709. They’re specifically designed to build a reliable base and help color match footage across different camera brands and sensors before applying any creative LUT.
What if I don’t like the LUTs—can I get a refund?
While we don’t offer refunds, we do want to work with you to help you get the results you’re looking for. If you’re not satisfied with the results, you can submit your footage to our color team, and we’ll review it and provide personalized guidance on how to get the most out of your LUTs. We’re here to help you achieve the look you’re after.
What color space are Gamut LUTs designed for?
Gamut LUTs are designed primarily for Rec.709, the standard color space for most displays. If you’re working in Log, you can use our BaseLUTs to convert from Log to Rec.709 before applying any creative LUTs. For DaVinci Resolve users that prefer to work in a Scene Referred workflow like DaVinci Wide Gamut (DWG), our BaseLUTs also offer a version that converts Log footage directly into DWG—allowing you to color grade in that wider color space while maintaining compatibility with all our BaseLUTs.
Can I use Immersion on Log footage directly?
No. Gamut Creative LUTs are designed for Rec.709 footage. To convert your Log footage, we recommend using our Gamut BaseLUTs, which are optimized for accurate color and consistent results across different camera systems. You can also use a Color Space Transform (in software like DaVinci Resolve) or your camera manufacturer’s LUT to normalize your footage before applying any creative LUT.
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